Lillian Ablon, Martin C. Libicki, Andrea A. Golay

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During the challenge, Territory worked with Paul Inglis, the film’s senior art director, and Arthur Max, the production designer. Years later, David Sheldon-Hicks, co-founder and artistic director at Territory, was speaking on the cellphone with Max about Alien: Covenant. As an alternative, Max advised that he reach out to Inglis about Blade Runner 2049. “So I dropped him an electronic mail,” Sheldon-Hicks recalled, “and stated, ‘In case you’re on the project I think you’re on, I will give you my right arm to put us on there.'” Inglis laughed and told him that sadly, Territory must undergo a three-way bid for the contract.

A month later, four of the Territory crew visited Budapest, Hungary, where most of Blade Runner 2049 was being shot. For Eszenyi, it was a surreal experience. He grew up in Hungary and remembers watching Blade Runner in secondary school. Specifically, he recalled the sweeping, digital rating by Vangelis and his literature trainer gushing over the ending with replicant Roy Batty, played by Rutger Hauer.

It was a big moment. The unique Blade Runner is considered by many to be the greatest sci-fi movie ever launched. Directed by Scott in 1982, it stars Harrison Ford, recent off The Empire Strikes Again, as retired police officer Rick Deckard. He is forced to renew his role as a blade runner, monitoring down a group of replicants who have fled to Earth from their lives off-world.

Territory may, in theory, design and code full-blown functions. However for a film like Blade Runner, that would be a costly and time-consuming process. In any case, a screen is largely redundant as soon as the scene has been shot. There are additionally the practicalities of shooting a film. An actor’s focus is already break up between the lights, the digital camera, the strains they need to bear in mind, and the positioning of other cast members. If a display screen or prop is not easy, it might affect their focus and the general high quality of the efficiency.

Territory was ultimately given permission to read the script. The workforce had to fly to Hungary, however, to skim by way of the pages in an isolation chamber. “I had roughly half an hour to learn the script,” Eszenyi recalled. As such, he only had a tough idea of how the different sets and story sequences fitted together. Again in London, the workforce would always ask each other what they remembered from their temporary time with the script. Thankfully, Inglis was all the time available to verify anything that they had forgotten.